Tuesday, March 21, 2017

A light lunch at Udny Green - eating where Donald Trump failed to get in



Eat on the Green, Udny Green, by Ellon, Aberdeenshire. Dinner £39-45 per person. Lunch £25-30. Menus and winelist online at:


The Kilted Chef is wearing breeks today, albeit tartan ones, and nursing the after effects of a night in Edinburgh where his restaurant Eat on the Green did NOT win the ‘Best Restaurant Experience’ gong. That went to Glasgow’s seafood joint Gamba, which I once ate in, very expensively and not without dissatisfaction.

Mr Wilson doesn’t seem bothered. Eat on the Green is one of North East Scotland’s top  dining destinations, located in a former pub in the rather perjink village of Udny Green, near Ellon. The interior brings together the sumptuous, the pure-dead-flash and the homely; its appeal to Aberdeenshire’s somewhat reduced Porsche-and-champagne set (there’s a Laurent-Perrier sponsored ‘clubroom’ , Le Salon Vert, with silvery sofas and a chandelier made of dangling bottles, not Kristal, by the way) leavened  by some quite serious art (including a massive Gerry Burns) two lovely private dining rooms, one off the kitchen and a  reception desk beamed in from the Starship Enterprise.

All of this in a low-ceilinged building with lots of quirky corners and a newly-refurbished £20k men’s toilet, any surface off which you could eat your dinner. That, however, is unnecessary as we are at that ‘chef’s table’ from which you can see into the kitchen, but don’t have to sweat with the brigade. Unless you want to pay your £200 and be a ‘chef for a day’ on one of Mr Wilson’s cooking courses.

He’s a star, Is Mr Wilson, but a genial one, and entertaining as he tells his tale of a local boy returning to his roots and finding culinary success in this initially suspicious farming community.

“How much are ye takkin fir a bowl of soup?” He remembers the craggy local comments. “Aye, I quite likkit it. But it’s affy dear.” He was determined, though, when he set up the restaurant in 2004, that it would be fine dining without snobbery (“We’re not a burger bar”), the best ingredients sourced from as near at hand as possible. Which wasn’t without difficulty. A few leery local suppliers kept him at a distance until they realised just how good Eat on the Green was, and how popular. With big names too. Sean Connery, Alex Ferguson. And Donald Trump’s golf complex is just down the road.

“We turned him away,” confides Mr Wilson, with a discreet hint of pride. “He and his entourage wanted to have dinner, but we were full.”

Mr Wilson’s career started at the Strathburn Hotel in Inverurie at 16, before a move to the prestigious Ballathie House in Perthshire (“I took a 50 per cent pay cut at 18 and a half”), Cromlix House in Dunblane as head chef and time with Baxters as a development cook. based in  Grimsby. Yes, Grimsby, where Baxters had a plant developing ‘fresh soups’. Inevitably, he began to hanker for home.

It was in England he developed the kilted persona which became popular with local TV producers, and has become his hallmark in the USA and beyond. He’s tireless in raising money for charity, seems good to his staff (they all exhibit an effortless friendliness you don’t get from cheffy shouting) and is a family man with four children, one recently born. 

“My wife says that when I cook, it reminds her why she likes me.” 

I am here as part of a whistle-stop food, drink and music press trip organised by Visit Aberdeenshire and Aberdeen Festivals. For lunch. It’ll be the usual slivers of showy, fancy food full of foibles, I surmise. A palate-tantalising taste and then on your way.

I couldn’t be more wrong.

What Mr Wilson does is take the opportunity to present us with the best of his ingredients and what simple, heartfelt, very careful high end cookery can do with them. Or in the case of what is more cheese table than board, present local products in their pristine state. They didn’t stay that way for long. I still feel guilt at what I did to that amazing, unopened smoked Clava from Inverness-shire.

Post-canapĂ©s and champagne, gigantic sharing plates are paraded through one after the other: black pudding balls, deep fried (haggis and black pudding are the coming cool ingredients of 2017, I am informed by another member of the party). Tempura vegetables and caramelised roasted roots veg, all  from the restaurant’s own polytunnels. Venison, right on the money with that tender texture it’s so difficult to achieve. Pork belly, three ways, halibut in a delicate, tangy sauce. Arbroath Smokie in pearl barley risotto, delicate and moist. Scallops and giant crayfish, from nearby Foinaven Fish using boats based in Buckie and Peterhead. Huge, generous quantities, all the cooking calibrated to perfection. While Mr Wilson turns the tables, literally, and quizzes each of us in turn about what we do , why we do it. He likes to talk, to meet people. Going around his guests and chatting is part of the deal for him, rewarding, instructive and essential. Food is social. And essentially unpretentious.

"I’ve never been into that spacebomb and foie gras sort of thing. Finesse without the bullshit, that’s me. Mince and tatties, but done really well.”

It’s the beef cheek, cooked for 14 hours and with a deep, utterly irresistible gravy, that knocks me sideways. I’ve had this cut before and found it impossible to eat, the strange, grainy texture and thin lines of fat sucking all the moisture from my mouth.

“If you cook it long enough, the fat dissolves,” says Mr Wilson, and that’s the simple truth. This is fantastic, melt-in-the-mouth meat which responds to the warning he was given when he opened the restaurant: “Remember, it’s good beef country here - remember, loon!” Me, I’m in beef bliss.

Couldn’t eat another thing. Except, oh, all right then, some slates (enough with the slates, OK? We Want Plates!) of puddings too perfect to ignore in their pressing of all those chocolate brownie, fruit and tart/sweet buttons. And what about some cheese?

All right then.

Now, I wasn’t paying for any of this, I hadn’t seen any prices, and I wondered if we were looking at the kind of colossally expensive place only really accessible for special treats, celebrities and football managers. It’s got a private champagne club, for heaven’s sake! But a quick look online showed that  Eat on the Green is actually very reasonable indeed. Dinner is £39 for two courses, £45 for three, with a very uncheeky £5 beef supplement. A decent bottle of Rioja is less than £30, a dram of Glengarioch £4.50. Obviously, boats can be pushed out if you so desire.

Me, I’m thinking about Gamba, the fortune I lavished on our family dinner there, the unexpected, somehow lax fussiness of ungenerous servings. Eat on the Green is on a different level. An admiring Gordon Baxter, Mr Wilson’s former boss, arrived to celebrate his 80th birthday at Udny, and afterwards told his former protegĂ©: “We’re here...and you’re there. You’re the real deal.”






Sunday, March 19, 2017

Promised Land, 18 March 2017

Still brown-eyed, still handsome
Still mean as a cottonmouth
Bitter, wary, watchful
Of the new north and the old south

Suitcase packed, guitar, a car
A clean shirt, cash, a gun
Things you can put your faith in
When you can't trust anyone

No woman, no disciple, fan
Friendship is only words
Just pick-up bands, a half-hour set
And Johnnie Johnson's chords

Like Johnnie, never too bad
Never good, you were the best
Motorvating over that hill
Leaving behind the rest

Gone now; vicious, suspicious
Owed by a million bands
Poor boy forever on the line
Exiled from the Promised land




Sunday, February 26, 2017

Beatcroft Social from 25 February - playlist, plus full HD video archive, Facebook issues and more

First, it's important to say that the full archive of Beatcroft Social/60North Radio shows, in full HD video and glorious stereo, is now available for streaming on the 60 North site. And that INCLUDES last night's, which, along with hundreds of other official and licensed music shows, was blocked by Facebook for reasons inaccessible to us.

We're guessing that Facebook have ignored our repeated messages regarding the licences we have taken out to ensure our broadcasts are legal, and that artists and copyright holders get paid. And that they've decided to take a 'broad brush' approach to copyright music, removing everything they think falls into that category. YouTube did the same thing but relented once deals had been struck with agencies like MCPS. We can only wait and see what happens.

Meanwhile, part of the show (about 40 minutes) IS still available on Facebook. Here, you have links to that, the Mixcloud audio stream, and, as I said, the full archive in HD video and audio, on the (much better than any other source) 60 North website. Enjoy.

Planning to go live again next week from 7.00pm on Saturday - probably with video only on Facebook and a link to the 60 North site. 

And yes, Bill Black was indeed Elvis's bassist. I know, I know...

PLAYLIST:

The Las - There She Goes
The Byrds: Mr Tambourine Man
Al Green: Tired of Being Alone
Simon Haworth: The Shetland Bus
Love and Money: Candy Bar Express
Kris Drever: I Didn't Try Hard Enough
Dean Owens: Raining in Glasgow
Ron Sexsmith: Gold in Them Hills
James McMurtry: Childish Things
Richard Thompson: Don't Sit on my Jimmy Shands
Rolling Stones: Tumbling Dice
Andy Pratt: Avenging Annie
Catriona MacDonald, Debbie Scott, Knut Buen: Maggie o'Ham (foula Shaalds Dance)
Willy Mason: Restless Fugitive
Caravan: The Land of Grey and Pink
Fiddler's Bid: Leaving Lerwick Harbour
Wardruna: Helvegen
The Filthy Tongues: Crew Cut
Clifford T Ward: Home Thoughts From Abroad
Kurt Vile: Pretty Pimping
Yvonne Lyon: Learning to Live Again
Simple Minds: The American
Nathaniel Ratliff and the Night Sweats: I Need Never Get Old
Chris Stout: Norwegian Hymn

Audio only Mixcloud stream:


Here's a chunk of the show's first hour still up on Facebook:

Sunday, February 12, 2017

Beatcroft Social, 60N Radio, 11 February. Playlist, plus audio and video streams

Remembering Jimmy Moncrieff, 1959-2017


 Big Dish: Prospect Street
Admiral Fallow: Guest of the Government
Willy Mason: Restless Fugitive
North Country Fair: Shooting Star
The 101rs: Keys to Your Heart
The Clash: Brand New Cadillac
Fiddler's Bid: Leaving Lerwick Harbour
Christy Moore: Ride On
Isaac Hayes: Soulsville (vinyl; Shaft soundtrack)
The Legendary Hearts: Faded by the Sun
Jimmie Rodgers: In the Jailhouse Now (1960 vinyl)
Frightened Rabbit: Swim Until You Can't See Land
Bill Wells, Aidan Moffat: The Copper Top
Elvin Bishop: I Fooled Around and Fell In Love
Karine Polwart: The Good Years
Trashcan Sinatras: Best Days on Earth
Transvision Vamp: Born to be Sold (cassette)
Rudi: Big Time
Frankie Miller: Be Good To Yourself
Lowell George: What Do You Want the Girl To Do?
Gerry Rafferty: Whatever's Written In Your Heart
James Dewar: Out of Time
Emmylou Harris: Luxury Liner (vinyl)
Solomon Burke: Fast Train
Dr Feelgood: Milk and Alcohol
Withered Hand: Black Tambourine

Sunday, February 05, 2017

Beatcroft Social on 60n Radio, 4 February - Mixcloud audio, playlist and Facebook video

Hi - here's Saturday's Beatcroft Social, with the Mixcloud audio and Facebook streams. Thanks to everyone who got in touch! Back next Saturday at 7.00pm. New microphone - a Shure SM7B. Marked improvement, I think.



Drive By Truckers: Ramon Casiano
Tim Easton: Killing Time
Family: My Friend The Sun (vinyl)
Rory Gallagher: Bad Penny
Jason Isbell: Cover Me Up
Deke Leonard with Help Yourself and BJ Cole: Mona (from 'Christmas at the Patti', vinyl)
Warren Zevon:Carmelita
Peerie Willie Johnson: Somewhere Over the Rainbow
Michael Marra: Schenectady Calling Peerie Willie Johnson
Robin Trower Band: Too Rolling Stoned
Stone the Crows: On the Highway
Julie Covington: Don't Cry for me Argentina (vinyl single)
Undertones: You've Got My Number (Why Don't you Use It?)
Diesel Park West: When the Hoodoo Comes
JSD Band: Ol' Groundhog (8-track cartridge)
Michael Marra: Johnny Hallyday
Johnny Hallyday: L'Envie
Patti Scialfa: Rumble Doll
Bruce Springsteen: Brilliant Disguise
David Heavenor: Linger and Go
Lloyd Cole and the Commotions: Speedboat
Lau: Ghosts
Dave Edmunds: Back to Schooldays (vinyl)